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Dressing the Part | Dressing the Part |
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By Sheela Prasad '04Sitting in a chair, poked and prodded by four sets of hands, I finally felt accepted in India. Tina, who wants to be an artist, was weaving my hair into a braid. With years of experience braiding her little sisters’ hair, she handled mine adeptly and gently. Sangeeta, a budding Bharat Natyam dancer, was horrified by my naked earlobes and plucked the kangan from her own ears and jabbed them through in mine. Mala, the most serious of the girls, arranged my sari to be both modest and elegant while Shivani inspected my face.
“No, Didi, this will not do,” she said as she ripped the tiny
red bindi from my forehead. She removed a large maroon bindi from
Anjina Didi, their mother, and slapped it on my forehead.
“There,” she said. “Beautiful.”
They stood back and peered down at me while I gazed up at them. Beautiful.
These girls are all sisters at Bal Kutir, a home for orphaned children in Noida, UP. This is no typical orphanage; the thirty-three residents are sisters and brothers for life, their mummy theirs forever as well. They were dressing me up for the opening of an art and dance studio in Noida. I was going to ask the owners if they would accept Bal Kutir students free of cost.
Half an hour before I was
scheduled to leave, the oldest girls considered my cotton kurta and
pajama, and ordered my upstairs to change. They opened a worn blue
suitcase filled with saris, which like everything from toys to mummy’s
love, belonged to anyone and everyone. After much consultation amongst
themselves, they pulled out a cream-colored sari that they assured me
would complement my complexion well. When I buttoned up the blouse
backward, they just laughed, “Didi,” and pushed me back into the
bathroom.
This year at Bal Kutir, I am creating
extra-curricular opportunities to build these children’s life skills,
such as leadership, critical thinking, teamwork and creativity. Yet,
every day I realize that the everyday life-skills that come so
naturally to most Indian woman, from the rural farmer to the urban
professional, are years behind those of the girls at the home.
Growing
up in New York, India wasn’t with me every minute of the day. I
unpacked India from my mental suitcase as I dressed for a pooja, as I
impressed friends with stories from trips to Delhi or Kerala, or as I
studied Hindi in college. India was a compartment of my life, and a
small one at that. The girls are giving me the training about how to be
an Indian woman that I somehow missed in America. They teach me how to
how to fold a sari and and how to roll an acceptable chappati, but the
real lessons are much deeper.
Even though they are only
teenagers, they exemplify me the strength of Indian women. They
simultaneously study in school, help to raise their younger brothers
and sisters at Bal Kutir, run the accounts and kitchen of the home and
still make some time to dance, paint, and sing and laugh. Their
constant hard work and compassion inspire me to employ those same
traits as I tackle my project this year. As they adorned me with
a sari and sent me to the opening, I felt that they finally understood
that I needed life-skills training as well, that we would be teaching
each other this year.
As I finally left the home, the
thirty-three children waved good-bye, shocked at the sight me in a sari
for the first time. After one last-minute exchange of my rubber Bata
chappals for Sangeeta’s beaded sandals I walked out the door, one step
closer to navigating India, so that I could help these children
navigate their own lives.
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If you have come to help me, you are wasting your time. But if you have come because your liberation is bound up with mine, then let us work together.
- Lila Watson
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